The song, however, became Day's signature tune, the theme for her later sitcom The Doris Day Show and a tune that formed the basis of hundreds of football chants. Very nice.- hide signature -Never buy version 1.0 of anything. Even B-list Hitchcock is better than most, but the film will never have the status of star James Stewart's other work with the Master of Suspense. Patsy Murphy wrote: Que Sera Sera Doris Rest in Peace. The label responsible for the production and release of Que Ser, Ser was Columbia Records. The song, which was released as a single, originally came out in 1956. Livingston composed the music whereas Evans wrote the song’s lyrics. Similarly, the American Man Who Knew Too Much is Hitchcock by numbers. Que Ser, Ser was written by American songwriters Ray Evans and Jay Livingston. The original British version of the film was good but not on a level with The 39 Steps or The Lady Vanishes. And it sounds like the kind of song born less from inspiration than from provocation.
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She knocked it off in one take and said, That’s the last time you’ll ever hear THAT song. But this was the important song in the picture, so Paramount insisted that she record it.
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The drama is scheduled to air after the finale of Terius Behind Me. Doris Day initially refused to record QUE SERA SERA because she thought it was a children’s song. Regular Oscar winning songwriting duo Jay Livingston and Ray Evans wrote Que Sera, Sera specifically for Day to sing in the film and won their third Original Song Oscar as a result. A Los Angeles Times columnist supposedly wheedled the songwriters who wrote Que Sera, Sera and the Bonanza theme into composing it. The script is written by writer Do Hyun Jung, who wrote Que Sera Sera and The Village: Achiara’s Secret. That Day was better known as a singer than an actor made studio Paramount dubious about her casting unless a musical number or two were crowbarred in. Que Sera, Sera - The Man Who Knew Too Much Clean cut, perky Doris Day was hardly the classic archetype of the Hitchcock blonde in the style of Grace Kelly, Kim Novak or Janet Leigh and that made her a slightly awkward fit in this by-contractual-obligation remake of the director's earlier British thriller.